Saturday 16 November 2013

Confusing is an understatement: Trance review



You can always count on Danny Boyle bringing out a great film, with his 90s masterpiece Trainspotting and multi-Oscar winning Slumdog Millionaire just showing that this guy oozes talent, he can jump from genre to genre from trying to shock everyone with Trainspotting to trying to confuse the hell out of the audience with the most non-linear narrative since Inception with his newest release Trance (2013) starring James McAvoy. Now, don’t get me wrong with Trance, I do believe that it is up there with many of Boyle’s very high quality of films and the cinematography is just immensely beautiful, but on the other hand, the narrative just way too overly confusing. It’s like he is trying to compete with the trend of films at the minute where it just disregards the conventions of narrative structure and just want to make the audience wonder what on Earth just happened during the 101 minutes the film goes on for.

The story of Trance follows Simon Newton (McAvoy) who is a gambler who is in deep trouble with the wrong type of people and has to repay his debt. To be able to do this, he sets up a heist to steal a priceless painting with the help of Franck, played by the undervalued Vincent Cassel, however, during the heist, Franck knocks out Simon with a simple swoop of his shotgun. This then creates a new chain of events, as Simon has now lost his memory, and more importantly, the part of his memory where he hid the painting for Franck and his gang of criminals. To be able to get the painting back, Franck suggests using hypnosis (yep, that’s right hypnosis) to be able to get Simon’s memory back about the painting and are connected to hypnotist Elizabeth Lamb played by Rosario Dawson. The narrative then follows the numerous hypnotic sessions between Elizabeth and Simon where she puts Simon under a trance (did you see what Boyle did there) to be able to find out where Simon has left the painting. Now this is where the narrative gets a little confusing, it is revealed that through the sessions that Simon and Elizabeth have already met and the things that they have done together after the sessions may have already happened, this then leads up to one of the most confusing twists in recent cinema history which involves a red car, a painting and erm….a shaven vagina.

All though I have said that the narrative would be impossible to follow if you just missed even a minute of it, overall the film is very strong and I did really enjoyed it, however, the narrative is just so rich and strong, it is impossible to talk about it without giving a lot of the plot points away, but I will try to not give a lot away. The narrative of the film seems to follow McAvoy’s character Simon and throughout most of the film, the audience believes that the film is for Simon, but that is thrown out of the window once you are faced with the twist near the end of the film. The film then sort of shifts towards Franck and Elizabeth as characters and Simon is shown to be the antagonist of the film, this completely disorientates the audience so much that we all just seem to go with what Boyle has put up on screen.

Within the film, I do believe that the visuals are very strong and do match up with the narrative, the way the visuals within the trance sessions just give it a very mythical and hypnotic look. This then gives the audience the sense that the visuals are trying to match up with the narrative but also trying to make it seem realistic, this may seem impossible within a trance sequence because essentially when you are in a trance, it is just a dream so this could create any sort of visual. I think when of the best visual effects within the film is when Simon is shown to go on a unstoppable killing spree and kills Franck and his criminal gang, but it is revealed that this is a trance session as Franck speaking with half of his head blown off.

Like I said earlier in this review, I do believe that Danny Boyle is trying to top the trend of non-linear and confusing films, it also seems that by trying to do this, it shows in the narrative that maybe Boyle tried a little too hard to try and make the film as non-linear as possible. The twists that I do understand within the film, I believe were portrayed on screen extremely well and it did play well within the narrative, but I also think that the twists that took me a while to understand may have been just too confusing. However, this may just be a reason to say that the film was just too confusing for me.

In conclusion, I believe that Trance is a very good film, it may not be Oscar winning quality but I did really enjoy it overall, and with the performance of James McAvoy as practically a very disturbed individual was inspired. The plot is highly entertaining, even if it may not be very easy to follow, it feels like such a weight off your shoulders once you figure out what has actually happened through the 101 minute film. So overall, I did enjoy the film but if you aren’t into films where you may actually have to think, I wouldn’t choose this film as a starting point as it will mess with your mind.
And, if you are interested, here is an article I did for my university's website http://www.demon-media.co.uk/film-and-tv/head-scratching-cinema/

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